knives-out 1 - translation to
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knives-out 1 - translation to

1971 FILM BY JACQUES RIVETTE, SUZANNE SCHIFFMAN
Out 1: Noli me tangere; Out One; Out 1 : Noli me tangere; Out 1: Spectre; Out 1: Noli Me Tangere; Out 1, noli me tangere

number one         
  • The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1
  • [[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.
  • alt=Horizontal guidelines with a one fitting within lines, a four extending below guideline, and an eight poking above guideline
  • 1 as a resin identification code, used in recycling
  • This Woodstock typewriter from the 1940s lacks a separate key for the numeral 1.
NATURAL NUMBER
1 (the number); ¹; One (number); 1 E0; One; Unity (number); ₁; ١; ۱; Number one; ១; 1.0; No 1; 1; NO.1; ➊; ➀; ❶; Unity (mathematics); The number one; 𐡘; ꩑; ༡; 1 (numeral); One (1); Number-one; Numberone; ௧; १; ১; ੧; No.1; ૧; ୧; ౧; ೧; ൧; ߁; ໑; ၁; ႑; ꧑; ᥇; 𐒡; ꣑; 1 (glyph); Firstly; Nº 1; Unit number; 1e0; 1E0; 1 (number); 1️⃣; 10^0; Unit (number); ASCII 49; \x31; 2^0; U+0031; User talk:Theonlysameer/sandbox; 1024^0; 1×2^0; 1B0; 1×10^0; 1000^0; 100^0; 1^1; 1^0; 1⁰; 1¹; 1**0; 1**1; 2⁰; 2**0; 1²; 1³; 1⁴; 1⁵; 1⁶; 1⁷; 1⁸; 1⁹; 1¹⁰; 1^2; 1^3; 1^4; 1^5; 1^6; 1^7; 1^8; 1^9; 1^10; 1**2; 1**3; 1**4; 1**5; 1**6; 1**7; 1**8; 1**9; 1**10; 10⁰; 10**0; 1000⁰; 1000**0; 1 B0; 1024⁰; 1024**0
(adj.) = número uno, líder, principal
Ex: Eyestrain is the number one complaint of computer users.
one         
  • The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1
  • [[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.
  • alt=Horizontal guidelines with a one fitting within lines, a four extending below guideline, and an eight poking above guideline
  • 1 as a resin identification code, used in recycling
  • This Woodstock typewriter from the 1940s lacks a separate key for the numeral 1.
NATURAL NUMBER
1 (the number); ¹; One (number); 1 E0; One; Unity (number); ₁; ١; ۱; Number one; ១; 1.0; No 1; 1; NO.1; ➊; ➀; ❶; Unity (mathematics); The number one; 𐡘; ꩑; ༡; 1 (numeral); One (1); Number-one; Numberone; ௧; १; ১; ੧; No.1; ૧; ୧; ౧; ೧; ൧; ߁; ໑; ၁; ႑; ꧑; ᥇; 𐒡; ꣑; 1 (glyph); Firstly; Nº 1; Unit number; 1e0; 1E0; 1 (number); 1️⃣; 10^0; Unit (number); ASCII 49; \x31; 2^0; U+0031; User talk:Theonlysameer/sandbox; 1024^0; 1×2^0; 1B0; 1×10^0; 1000^0; 100^0; 1^1; 1^0; 1⁰; 1¹; 1**0; 1**1; 2⁰; 2**0; 1²; 1³; 1⁴; 1⁵; 1⁶; 1⁷; 1⁸; 1⁹; 1¹⁰; 1^2; 1^3; 1^4; 1^5; 1^6; 1^7; 1^8; 1^9; 1^10; 1**2; 1**3; 1**4; 1**5; 1**6; 1**7; 1**8; 1**9; 1**10; 10⁰; 10**0; 1000⁰; 1000**0; 1 B0; 1024⁰; 1024**0
uno
firstly         
  • The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1
  • [[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.
  • alt=Horizontal guidelines with a one fitting within lines, a four extending below guideline, and an eight poking above guideline
  • 1 as a resin identification code, used in recycling
  • This Woodstock typewriter from the 1940s lacks a separate key for the numeral 1.
NATURAL NUMBER
1 (the number); ¹; One (number); 1 E0; One; Unity (number); ₁; ١; ۱; Number one; ១; 1.0; No 1; 1; NO.1; ➊; ➀; ❶; Unity (mathematics); The number one; 𐡘; ꩑; ༡; 1 (numeral); One (1); Number-one; Numberone; ௧; १; ১; ੧; No.1; ૧; ୧; ౧; ೧; ൧; ߁; ໑; ၁; ႑; ꧑; ᥇; 𐒡; ꣑; 1 (glyph); Firstly; Nº 1; Unit number; 1e0; 1E0; 1 (number); 1️⃣; 10^0; Unit (number); ASCII 49; \x31; 2^0; U+0031; User talk:Theonlysameer/sandbox; 1024^0; 1×2^0; 1B0; 1×10^0; 1000^0; 100^0; 1^1; 1^0; 1⁰; 1¹; 1**0; 1**1; 2⁰; 2**0; 1²; 1³; 1⁴; 1⁵; 1⁶; 1⁷; 1⁸; 1⁹; 1¹⁰; 1^2; 1^3; 1^4; 1^5; 1^6; 1^7; 1^8; 1^9; 1^10; 1**2; 1**3; 1**4; 1**5; 1**6; 1**7; 1**8; 1**9; 1**10; 10⁰; 10**0; 1000⁰; 1000**0; 1 B0; 1024⁰; 1024**0
= en primer lugar
Ex: Firstly, there will be an increasing use of new forms of such technology in the provision of information.

Definition

fino
fino, -a (de "fin")
1 adj. *Delgado; de poco grosor o espesor: "Un papel [o un hilo] fino". Entrefino, finústico, superfino. Se aplica particularmente a "punta". Aplicado a las personas y, particularmente, a "facciones" o "tipo", delgado y correcto de forma[s].
2 Mar. Se aplica al *barco que corta bien el agua.
3 (inf.) Aplicado a personas y a su manera de hablar u obrar, *astuto o hábil en el trato social en su propio beneficio.
4 Aplicado a los sentidos, *agudo: "No tiene un olfato muy fino".
5 *Liso o *suave; sin asperezas.
6 *Delicado o *selecto: Aplicado a cosas, hecho con más cuidado o para un gusto más exigente que las cosas ordinarias: "Muebles [o dulces] finos. Un espectáculo fino". Aplicado a personas, de maneras distinguidas y corteses. Afiligranado, *delicado, distinguido, *elegante, escogido, exquisito, fileno, de buen gusto, primoroso, *refinado, *selecto, señor, *suave, de buen tono. Filigrana, fililí, fineza, finura, filis, filustre. Afectado, *cursi, finolis, *ñoño. *Afinar. *Amable. *Correcto. *Cortés. *Educar. *Pulido.
7 Aplicado a "amigo, amante" o palabras equivalentes, muy *amable o atento. También se ha dicho "fina amistad, fino amor", etc.
8 adj. y n. m. Se aplica a un vino de Jerez muy seco, con una graduación que oscila entre 15. y 17?.
V. "canela fina, piedra fina".

Wikipedia

Out 1

Out 1, also referred to as Out 1: Noli Me Tangere, is a 1971 French film directed by Jacques Rivette and Suzanne Schiffman. It is indebted to Honoré de Balzac's La Comédie humaine, particularly the History of the Thirteen collection (1833–35). Known for its length of nearly 13 hours, the film is divided into eight parts of approximately 90–100 minutes each.

The vast length of Out 1 allows Rivette and Schiffman, like Balzac, to construct multiple loosely connected characters with independent stories whose subplots weave amongst each other and continually uncover new characters with their own subplots. A shorter version of the film exists, and its Spectre subtitle was chosen for the name's ambiguous and various indistinct meanings, while the Noli me tangere ("touch me not") subtitle for the original version is clearly a reference to it being the full-length film as intended by Rivette.

The film's experimentation with parallel subplots was influenced by André Cayatte's two-part Anatomy of a Marriage (1964), while the use of expansive screen time was first toyed with by Rivette in L'amour fou (1969). The parallel narrative structure has since been used in many other notable films, including Krzysztof Kieślowski's Dekalog and Lucas Belvaux's Trilogie, which includes Un couple épatant, Cavale and Après la vie, to name a few. Each part begins with a title in the form of "from person to person" (usually indicating the first and last characters seen in each episode), followed by a handful of black and white still photos recapitulating the scenes of the prior episode, then concluded by showing the final minute or so (in black and white) of the last episode before cutting into the new episode itself (which is entirely in color).

Out 1 received 13 votes in the 2012 Sight & Sound critics' poll of the greatest films ever made, resulting in a final ranking of 127th.